| Elvis was wore out
by relentless touring, still depressed by the collapse of his
marriage earlier in the decade, and increasingly ill health, he
not much enthusiasm for fulfilling his contractual obligations
to RCA (two albums and four singles per year), this forced
Felton Jarvis to fall back frequently on live recordings, so
when the subject of a new album came up, RCA decided to re-visit
an idea that they had first though of in 1961: to record Elvis
at Graceland. Jarvis hoped to get at least 20 useable masters
from these new sessions, and budgeted for six night of recording
at a cost in excess of $74,000. As it turned out, this proved a
tad on the optimistic side. Things got off to a shaky start
when RCA's mobile recording truck broke down 150 miles outside
Memphis, and had to be towed to Graceland. The task of
converting Elvis' Polynesian-themed den into a workable
recording studio was also a problem, but technical issue s were
finally overcome and recording began on the evening of February
2nd 1976.
By now, Elvis sought distraction whenever he could find it,
and that included during his recording sessions, which at one
time had been almost sacred to him. He also took his time
getting to the recording sessions even though they were taken
place in his own home, "he would book a session for six o'clock
and turn up at two in the morning, and we were tired" remembers
James Burton.
The first track to make the "Moody Blue", album was a
re-working of George Jones's 1962 country hit, "She Thinks I
Still Care", written by Memphian Dickey Lee, needless to say
the heartbreak lyrics fitted perfect with Elvis' own downbeat
mood at the time. Several different arrangements were attempted
before they opted to revert to the slow tempo of Jones's
original. The track was to first see the light on the B-side of
an Elvis single, it's A-side was the country rocker, "Moody
Blue", recorded two days later, which drew such a strong
performance from Elvis that producer Felton Jarvis promptly set
it aside as a future single.
By the end of the third day of recording, however, so little
useable material was in the can, Jarvis was forced to ask RCA
for more money...another $30,000. Jarvis was hardly to blame,
Elvis' general disinterest may be gauged from the fact that on
the second night of recording he regularly broke of and retired
to his bedroom , engaged the musicians in discussions about
numerology and gospel music, and talked them through his
collection of police badges. On the last day of the sessions,
February 8th, they didn't record at all. It would require a
second set of recordings at Graceland to complete the Moody
Blue LP. These weren't to start until after Elvis' October
1976 tour and this time around, his road band provided the
backing.
The new sessions kicked off on 29th October with a stately
reading of t he Andrew Lloyd Webber / Tim Rice composition,
"It's Easy For You", more heartbreak here, this song seemed
to mirror Elvis' own life, Linda Thompson his girlfriend of four
years would soon leave Graceland, he would have found great
resonance in the lines such as, "I had a wife, and i had
children, i threw them all away".
With "Way Down", the energy levels picked up, Elvis
threw himself in to the song with verve and delivering a
passionate vocal. The band were cooking by now and the rich vein
of productivity they had continued with "Pledging My Love",
a hit for one of rock 'n' roll's earliest stars, Johnny Ace,
who accidently shot himself on Christmas day 1954. Proceedings
wound up the following day, while they waited for Elvis'
arrival, the band worked up an energetic version of bassist
Jerry Scheff's "There's A Fire Down Below", which Elvis
seemed to like when he entered the room, however the momentum
was soon lost when Elvis retired to his bedroom again, and
instead Felton Jarvis had the band record backing for the song
"He'll Have To Go", the much loved Jim Reeves standard
from 1959. Later Elvis returned from his bedroom with a
sub-machine gun, and jokingly announced he was going to shoot up
the studio speakers, that put an end to the session for that
night. With only six sides in the can, more recording sessions
were scheduled, this time for January 1977, in Nashville. They
never happened, Elvis made it as far as one of the hotels in the
city before changing his mind and returning to Graceland.
Subsequent requests by Jarvis for more recording time were
fruitless...Elvis wasn't keen, and beside, Colonel Parker had
lined up more touring for him. The luckless Jarvis had to
scramble together the remaining material for the album from live
dates, taking "Unchained Melody" and "Little Darlin"
from 24th April in Ann Arbor and
"If
You Love Me (let me know)" from the following night show at
Saginaw. A four live track was added "Let Me Be There" to
complete the album, even though it had already appeared on the
1974 album "Elvis Recorded Live On Stage In Memphis",
"Little Darlin" was a hit for The Gladiolas and the Diamonds
in 1957, "If You Love Me" is a mid-tempo country track
and Elvis seems to like the song and does a good job on it,
"Unchained Melody" was a classic song and
Elvis' re-work is excellent. Moody Blue took over a
year to put together, and looking back i suppose it's not the
best recordings of Elvis' career, though i think it could be
seen as a fitting epitaph for the man he had become by 1977:
tired, depressed, moody and bored, but as "Way Down"
demonstrated, Elvis could still deliver a committed vocal
performances and also put his stamp on classics like
"Unchained Melody".
Despite the problems and challenges he had in later years,
Elvis could still make amazing music as long as he could take a
breath. |
Locations:-
The Jungle Room, Graceland
Live Material:-
Crisler Arena, Ann Arbor, Michigan, 24th April
1977 Civic Center, Saginaw, Michigan, 25th April 1977
Musicians:-
Elvis Presley (lead vocals, guitar, Piano)
James Burton (guitar)
Charlie Hodge (guitar, vocals)
Chip Young (guitar)
Alan Rush (guitar, vocals)
Weldon Myrick (steel guitar)
Jerry Scheff, Norbert Putnam (bass)
Denis Linde (bass, vocals)
Ronnie Tutt, Randy Cullers (drums)
Randy Cullers (percussion)
Farrell Morris (congas and timpani)
Glen D. Harding, David Briggs, Tony Brown (piano)
Bobby Emmons, Bobby Ogdin (electric piano)
Tony Brown (organ)
Shane Keister (moog synthesizer)
The Sweet Inspirations, Myrna Smith, Kathy
Westmoreland, Sherrill Nielson, J.D. Sumner & The Stamps Quartet (vocals)
Joe Guercio & His Orchestra
Release Date:-
July 1977
Chart Position:-
US - 3
UK -
|
Track Listing
01. Unchained Melody
02. If You Love Me (let me know) 03. Little Darlin'
04. He'll Have To Go
05. Let Me Be There 06. Way Down 07. Pledging
My Love 08. Moody Blue 09. She Thinks I Still
Care 10. It's Easy For You |
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